迈克尔是一名医院的看门人，他和他的妻子埃斯特住在一起，一家人和睦且平静。然而意想不到的事发生了：儿子的去世打破了他们世界原有的平静，使迈克尔和斯特尔陷入了深深地痛苦之中。更可怜的是，妻子在儿子死后陷入了抑郁。看着妻子一天天消沉与痛苦，迈克尔愿意尽他所能去拯救斯特尔，甚至是选择走上了不法的犯罪道路。

　　65-year-old Ganeshan has completely lost the zest for life after his wife's passing. But the news of his 7-year-old grandson Aadith's visit to India gives him a new lease of life. When all attempts to bond with the superhero fanatic Aadith fail, Ganeshan and his retired friends join in the madness of pretending to be a superhero league. The idea works like a charm. Little Aadith's excitement knows no bounds when he witnesses a secret meeting of this 'league'. Ganeshan is elated to receive his grandson's genuine affection for the first time. But the happiness is short-lived. The very next day a small girl gets kidnapped from their apartment complex. As the police start a preliminary investigation, Aadith turns to his grandfather with a glint of excitement in his eyes. He knows, just like any superhero, his 'thaatha' will solve the case in no time. Left with no choice, the old man turns to his ageing cronies. And thus, with aching knees, weak eyesights and greying hairlines, this League of Super (senior) Heroes is set upon their first mission.
　　老伴儿去世后，他为了取悦孙子而组建了一个假扮的超级英雄联盟。当麻烦出现时，他们却不得不在毫无准备的情况下采取实际行动。

　　因为一场战役，死亡开始正在这蔓延，直到30个部落只剩下5个。聪明的人知道怎么可以让他们自己活下来，于是他们呼吁结束这场死亡战争，来拯救仅存活下来的人。这5个部落，最终他们签订了和平协议，每个部落都赋予自己保护自己性命的权利。他们的和平协议可以一直持续下去吗？

　　加夫列尔（费尔南多·瓦尔沃德 Fernando Valverde 饰）和妻子卡门（西尔维娅·蒙特 Silvia Munt 饰）结婚多年，卡门怀孕生下了可爱的小女儿阿米（Susana García Díez 饰），虽然加夫列尔一心希望生下的是男孩，但依旧十分疼爱阿米。之后，卡门又怀孕了，阿米有了一个弟弟。弟弟出生之后，阿米的境遇开始变得艰难，父亲和母亲的注意力大多集中在小儿子身上，这令阿米心中十分不是滋味。最终，阿米犯下了一生难以偿还的过错。
　　在冷漠和罪恶感之中，阿米长大成人，可她的家庭却早已经支离破碎。一场意外之中，阿米被人侵犯，父亲亦因此终生将要坐在轮椅之上，母亲精神崩溃，与此同时，阿米发现自己怀孕了。

　　In this third installment of the 'Pusher' trilogy, we follow Milo (Zlatko Buric), the drug lord from the two first films. He is aging, he is planning his daughter's 25th birthday and his shipment of heroin turns out to be 10.000 pills of ecstasy. When Milo tries to sell the pills anyway, all Hell breaks loose. (Slavko Labovic).
　　- Written by larsthebellhop@ofir,dk

　　漫画家少女平日纵情烟酒一夜情，派对来者不拒，恣意快活的人生竟遭老天开了个大玩笑。连月以来令她下盘渐宽的暴饮暴食，竟是身体里的另一个小生命在分食；崩溃的心灵还来不及接受事实，就得为了搞清楚父亲是谁回想自己的约炮史。满腹的怨念化为她笔下的忍者宝宝，画着画着，宝宝竟跃然纸上想要跟她聊聊，试图扭转自己出生后的命运⋯⋯。
　　女生难为，除了得夺回子宫自主权，更痛的领悟是生产后就得负担起一辈子的母亲义务！媲美《鸿孕当头》的挪威轻喜剧，以自由少女的写意人生为主题，直球切入生育议题，透过卡通式的活泼动画呈现母子想像对话，轻松又深刻地映照当代少女的生命难题。

　　亚历山大（米基·哈特 Mickey Hardt 饰）的父亲经营着一家香水公司，亚历山大拥有与生俱来的灵敏嗅觉，对香味非常的敏感，因此在事业上给与了父亲许多的帮助。一次偶然中，亚历山大邂逅了名为托尼（瓦莱丽·涅豪斯 Valerie Niehaus 饰）的美丽单亲妈妈，并且震惊的发现托尼的儿子雅诺士拥有着异于常人的嗅觉。
　　亚历山大想要培养雅诺士，帮助他成为一名调香师，但是托尼却拒绝了他。然而亚历山大并没有放弃，雅诺士自己也很愿意涉足香水这一行业。随着时间的推移，托尼发现自己渐渐爱上了亚历山大，而亚历山大和雅诺士共同研制出来的爱情香水也诞生了。

　　Salomé (1923), a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adaptation of the Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist (here, as in Wilde's play, called Jokaanan) at the request of his stepdaughter, Salomé, whom he lusts after.
　　Salomé is often called one of the first art films to be made in the U.S.[citation needed] The highly stylized costumes, exaggerated acting (even for the period), minimal sets, and absence of all but the most necessary props make for a screen image much more focused on atmosphere and on conveying a sense of the characters' individual heightened desires than on conventional plot development.
　　Despite the film being only a little over an hour in length and having no real action to speak of, it cost over $350,000 to make. All the sets were constructed indoors to be able to have complete control over the lighting. The film was shot completely in black and white, matching the illustrations done by Aubrey Beardsley in the printed edition of Wilde's play. The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards.
　　No major studio would be associated with the film, and it was years after its completion before it was released, by a minor independent distributor. It was a complete failure at the time and marked the end of Nazimova's producing career.
　　A longstanding rumor, which seems to have started while the film was still in production, suggests that its cast is comprised entirely of gay and bisexual actors in an homage to Oscar Wilde, as per star and producer Nazimova's demand. It is, of course, impossible to say, but one of the extras in Salomé reported that a number of the cast members—both featured and extras—were indeed gay, but not an unusual percentage of them, and certainly not all of them. What can be said is that Nazimova herself was a lesbian, the two guard characters (who, next to Salomé, have the most screen time) are at least played very stereotypically gay, and several of the female courtiers are men in drag.
　　Salomé was screened in 1989 at the New York International Festival of Lesbian and Gay films and in 1990 at the New York Gay Experimental Film Festival.
　　In 2000, the United States Library of Congress deemed the film "culturally significant" and selected it for preservation in the National Film Registry.

　　纳粹时代结束十二年后，大多数公民还在纳粹政权的恐怖阴影中。总检察长弗里茨·鲍尔一直致力于纳粹罪行的举报。根据1957年的线索，他找到了前党卫军阿道夫·艾希曼的下落，鲍尔希望将艾希曼绳之以法。但他反复受阻，高级检察官乌尔里希和BKA员工保罗·格布哈特破坏鲍尔的进程……

　　女大学生安吉拉（安娜·托伦特 Ana Torrent 饰）正在撰写一篇关于视听暴力的论文，她的教授在为她收集资料的时候心脏病突发死亡。安吉拉觉得事有蹊跷，偷偷从案发现场拿走了教授死亡前正在看的一卷录像带。切玛（费雷·马丁内兹 Fele Martínez 饰）对暴力录像研究颇深，安吉拉带着录像带向他求助。他告诉安吉拉，其中录制的惨绝人寰的暴力行径为真实拍摄，并且受害者很可能就是他们失踪已久的校友凡妮莎。
　　为了得到真相，安吉拉和切玛四处奔波渐渐产生了感情。他们找到了凡妮莎的男友博斯克（爱德华多·诺列加 Eduardo Noriega 饰），没想到博斯克却把矛头指向了切玛。夹在两个男人之间的安吉拉究竟应该相信谁？一个小小的细节暴露了全部真相，当恶魔展现出他的真正面目，“天使”安吉拉还能够幸免于难吗？

　　弗朗西斯和克劳迪娅是一对好朋友，他是一个律师，她是一个兽医。他们之间无话不谈，直到约翰的出现。克劳迪娅决定嫁给约翰，这时候弗朗西斯才发现自己对克劳迪娅的感情不仅仅是友情。

　　1990年夏天，在智利，一小群家庭生活在安第斯山脉下面的一个孤立的社区，他们建立了一个远离城市过度行为的新世界，试图充分利用这个国家最近结束独裁统治后出现的自由。在这个变化和清算的时代，十几岁的索菲亚、卢卡斯和克莱拉与他们的父母、他们的初恋和他们的恐惧作斗争，他们为新年前夕准备一个大聚会。他们可能远离城市的危险，但不会远离自然。

　　一个单身汉渴望结婚，却总是被女人拒绝。为了赢得曾经暗恋女孩的芳心，他接受了意料之外的帮助，而这竟然是来自女孩的母亲

　　十部必看的希腊电影经典之一。如果想了解希腊文化尤其是音乐此片必看。1984年柏林电影节最佳导演银熊奖。
　　Considered to be one of the most powerful and emotional Greek movies, Rembetiko focuses on the life of an individual woman,a real person and through her personal story, it retells the story of Greece,from 1920 to 1955:the national disaster in Asia Minor,the one million refugees who came to Greece,the World War II,the Nazi occupation,the Civil War.The tragedy and the glory of a nation during the century.And all these bound with the music of rembetiko,the music of the outcasts.Great direction,great performances,great music.A voyage to history of the first half of the 20th century, but also a voyage to the origins of rembetiko.Realistic and dreamy.An original Greek epic.

　　由克里斯托斯·尼寇执导，阿利斯·塞勒维塔利斯主演，故事讲述在不远的将来，一种不知名的传染病在城市里蔓延，症状为患者会突然失去所有的记忆，染病的原因不明，也没有疫苗预防与相关治疗手段。而主角作为在街上突然「断片」被安置到新居的人，没有身份证件也无家人认领，只知道自己爱吃苹果。

　　骄傲的女主人埃丝特被诊断出患有运动神经元病，身体每况愈下，因此她决定吞药自杀，独自静静地离开这个世界。她告知了每一个人，将大家聚在他们偏远的住地共度周末。大家最初也都同意支持埃丝特这个不容易的决定，但随着周末的进行，事情的解决渐渐变弱，堆积的冲突被激起，各自的秘密也被揭露。

　　玛利亚，皮努琪亚，莉娅，卡蒂亚和安东内拉姐妹五人住在巴勒莫的公寓里，她们靠出租礼鸽谋生。在一次平常的海边出游中，姐妹中的一位意外离开，这彻底改变了她们余生的关系。影片分为三章——童年、中年和老年，灿烂的阳光、散落的鸽子毛、破败的老宅分别是这三个篇章的写照。在技巧高超的视觉和空间设计下，看似私人化的影像携永恒的时间与不会消逝的记忆，不留缝隙地缓缓涌入，并在最后喷薄而出，极具爆发力。

　　五个朋友在德国一个偏僻的地方长大，在即将完成学业之际，他们面临着重大的人生抉择——是留下，还是离开小镇去寻找广阔的天地。他们深入挖掘、了解彼此，却又若即若离；他们彼此相爱，却也爆发争执。影片虽是常见的青春和成长议题，但这部导演处女作以复古的画幅比例与独特的视角切入，辅以不落窠臼的角色塑造，用暴力、爱和孤独的碎片铸成万花筒，窥见相伴而行的亲密与痛苦。

　　Julian is a 12-year-old boy whose family is just scraping by in the Ruhr industrial region of Germany in the early 1960s . When his mother and younger sister go away for a while, he is left mostly alone in the apartment while his father works in the coal mine. He has to confront the confusing world of adults and older boys and the older girl next door on his own. Finally events build up and threaten to tear the family apart.

　　一名娇生惯养的电子游戏玩家想要参加即将到来的比赛赛，但因为生病的母亲和一位古怪的阿姨，他不得不重新考虑事情的轻重缓急。