故事发生在1930年代,当时美国正值经济大萧条,人民精神萎靡不振,堪萨斯市里充满了赌博、卖淫等犯罪活动。欧哈拉的丈夫约翰尼是一个小混混,因为犯了事被当地老大西恩拘禁起来。欧哈拉为了解救丈夫,冒险绑架了当地一位政客的妻子卡洛琳,希望能借此逼迫其政客丈夫利用关系网,促使西恩释放约翰尼。结果在相处过程中,绑架者欧哈拉和被绑架者卡洛琳之间,反倒产生了一些微妙的感情变化。@www.qimiyingshi.net
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.
Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.
故事发生在1930年代,当时美国正值经济大萧条,人民精神萎靡不振,堪萨斯市里充满了赌博、卖淫等犯罪活动。欧哈拉的丈夫约翰尼是一个小混混,因为犯了事被当地老大西恩拘禁起来。欧哈拉为了解救丈夫,冒险绑架了当地一位政客的妻子卡洛琳,希望能借此逼迫其政客丈夫利用关系网,促使西恩释放约翰尼。结果在相处过程中,绑架者欧哈拉和被绑架者卡洛琳之间,反倒产生了一些微妙的感情变化。@www.qimiyingshi.net