荣耀六十年1938
选择播放线路
6.0 |04月15日 06:27 |已完结
简介:
Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.  The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).  The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.  The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.  Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.  Roger Philip Mellor
猜你喜欢
换一换
4
8.0
HD中字
越过天城
8.0
上映时间:04月15日 01:09
主演:生田绘梨花,萩原圣人,奥野瑛太,冈田结实,末次寿樹,杏子,波冈一喜,高木胜也,佐々木春香,永山愛理,浅見小四郎,阪田雅信,菅原大吉,今野浩喜,温水洋一,田口浩正,筱原友希子,若村麻由美,岸谷五朗
简介:

  昭和31年(1956年),静冈县印刷商望月次郎受临退休刑警田岛委托,印刷一份“刑事搜查资料”。资料中记载了一桩已过追诉时效的土木工人被杀案,案件牵涉“修善寺妓女”大塚花与天城隧道附近被目击的14岁少年。
  翻阅资料时,望月被封印的记忆逐渐复苏——那个“少年”正是31年前的自己,而大塚花则是他的初恋。当年,二人曾赤脚携手翻越天城山,共度数小时如梦似幻的恋情。花的笑靥、清丽歌声与掌心余温犹在,然而分别后花却因杀害工人被捕。警方审讯中,花在田岛刑警的逼供下认罪,但其供词充满矛盾,仿佛刻意包庇某人。
  31年后的今日,田岛刑警为何突然造访望月?又为何偏执地逼迫他直面往事?
  当事件“真相”最终揭晓,望月与花跨越半生宿命重逢。

4
HD中字
越过天城
主演:生田绘梨花,萩原圣人,奥野瑛太,冈田结实,末次寿樹,杏子,波冈一喜,高木胜也,佐々木春香,永山愛理,浅見小四郎,阪田雅信,菅原大吉,今野浩喜,温水洋一,田口浩正,筱原友希子,若村麻由美,岸谷五朗
5
3.0
HD中字
世界奇妙物语35周年特别篇~传奇名作秋季特别篇
3.0
上映时间:03月15日
主演:川口春奈,笠松将,萤雪次朗,山田凉介
简介:

 富士台经典系列《世界奇妙物语》迎来35周年,本次特别篇将以“全新3部+精选1部”的形式呈现四个故事。 ①《不停止就无法活下去的游戏》:德永(山田凉介)因替朋友做担保而陷入债务危机,甚至连妻子都准备离开他。就在绝望之际,他收到一封神秘邀请函——参与一场“达摩不倒翁(不许动)”式的生存游戏,最后坚持到最后的人可获得30亿奖金。然而在“停下=死亡”的规则下,游戏的残酷与背后的真相,远超他所想。 ②《你的博物馆》:篠田美咲(川口春奈)与恋人井东健介在夜间兜风时迷了路,二人走进一座偶遇的博物馆询问方向。然而馆内展示的,却是美咲从幼年到学生时代的照片、物品与成长轨迹——仿佛整个博物馆都是为她而建。当展示内容逐渐延伸到她现在与未来,美咲不得不直面自己的人生秘密与选择。 ③《七楼斗争》:森崎(伊藤淳史)居住在公寓的七楼。某天,政府因“各地七楼发生异常事件”而宣布全国建筑的七层结构将被统一撤除,森崎被要求立即搬离。森崎在同事带领下参加了“七楼市民保卫集会”,决心守护自己的生活空间。但随着集会的深入,“守护七楼”的人们逐渐呈现出狂热而扭曲的执念。 ④ 精选回放《生日快乐,我的家》(1991年):坂口(役所广司)购入一栋新家,却意外在父亲留下的旧素描本中发现,父亲早在多年前便画下了这栋房子的模样。随着更多与“家”相关的往事浮现,时光、记忆与亲情交织,奇妙却温柔的气氛逐渐弥漫开来。这是系列中常被称为“奇妙却令人心暖”的经典代表作。

5
HD中字
世界奇妙物语35周年特别篇~传奇名作秋季特别篇
主演:川口春奈,笠松将,萤雪次朗,山田凉介
评论区
统计代码