爆炸

　　故事围绕记者斯蒂芬·安德伍德(帕蒂弗饰)展开，震惊世人的卡廷惨案22000余波兰人被残忍杀害，在安德伍德的抽丝剥茧中，发现事件实则为斯大林指使，并非纳粹所谓。影片正在英国西米德兰兹拍摄中。

　　在首尔金融业独自打拼的单身女子郑海媛（池成媛 饰）自然承受来自方方面面的巨大压力，她的情绪越来越紧张，最终不得不被迫休假。利用假期，海媛回到阔别已久的家乡无岛。这里风景秀美，民风粗犷甚至有些野蛮，男尊女卑的现象依然十分严重。海媛重逢了童年的玩伴金福南（徐英姬 饰），这是一个温和开朗、任劳任怨的女人，但是她的丈夫和家人都视其为猪狗，任意欺负和凌辱。福南希望女儿小燕拥有更好的人生，只是在这个蛮荒所在，人的尊严被肆意践踏。巨大的压力下，逆来顺受的福南化身为悲剧的复仇女王……
　　本片为韩国名导金基德的导演助理张哲秀的长片处女作。

　　长有双翼的食人恶魔再度出现了。它袭击了一座农场，将男主人的小儿子比利掳走，愤怒的父亲与长子杰基在沉默中发誓为亲人报仇……次日，一支高中校队在比赛结束后乘坐校车返回，于路却被尖锐的飞镖刺破了车胎，年轻人们眼见通讯不畅求助无果，只得慢慢行驶前进，夜里，袭击校车的神秘身影显出了真身，食人恶魔令校车彻底瘫痪，在一片恐慌中开始捕捉车中的人们。与此同时，一直追踪食人恶魔的农场父子终于赶到，他们用自制鱼叉阻击恶魔。由于恶魔每次轮回出可以获得23天在人世的时间，如果能坚持到今夜结束，所有人将成功逃生，学生们与农场父子展开了一场同恶魔的拼杀……

　　After observing a hauntingly familiar abnormal CAT scan of a 13 year old girl, radiologist Nina Evanko battles to find the source of the young girl's sleeping disorder. What she discovers is darker and stranger than she could have imagined.

　　他不仅为了还债监禁了拥有比特币的海任，还为了满足自己的控制欲监禁了自己的女友延美。他将为达目的理性暴力和为了爱情的感性暴力合理化，不断殴打并折磨她们，与此同时利用她们不可告人的秘密彻底摧毁了她们的人生。

　　改编自卡夫卡的存在主义小说，以《触目惊心》(1960)成名的安东尼．柏坚斯饰演异境人物「K」，一朝醒来便发觉警察在旁，说他要接受审判，但无人告诉他干犯何罪。为了表示清白，K试图挑战司法制度，但悲剧人物始终逃不过卡夫卡式幽闭梦魇。影片卡士庞大，威尔斯依旧粉墨登场，还有法国 大美人珍．摩露，负责拍摄的是布纽尔的御用摄影师。影片以黑白菲林呈现超现实的封闭时空，威尔斯在影像实验中继续潇洒前行，从庞大的布景和众多的群众演员中，说明了他如何精心筹划出电影的无边国度。威尔斯自言这是他的最佳电影。

　　Twenty years ago, old Mrs. Barlow was killed in her home at 12, Pimlico Square for her priceless rubies. The murderer searched the whole house without finding them, then disappeared. The house has been empty since then, but now Paul and Bella Mallen move into the apartment. Bella Mallen suffers from forgetfulness and nervousness - at least that is what her husband tells her. An elderly horse wrangler, B.G. Rough worked as a policeman twenty years ago and still remembers the unsolved case. He notices that Mr. Mallen looks just like Louis Barre, Mrs. Barlow's nephew. And why does Mr. Mallen so mysteriously leave every night just to go into the apartment next door, nr. 14?

　　暴风雨侵袭中的大西洋城，一场拳赛正在体育馆中预备上演，当地警探瑞克（尼古拉斯·凯奇 Nicolas Cage 饰）在敲诈赌客之余亦不忘为老拳王泰勒打气。这场比赛同时吸引到了国防部长莅临现场，担任部长护卫的海军长官凯文得以同老友瑞克见面，两人相谈甚欢。拳赛开始后，一名红发女子吸引了凯文的注意，另一名银发女子则与部长交头接耳，泰勒中拳倒地的刹那，部长中枪，凶手被凯文当场击毙。瑞克为自责中的凯文出谋划策，滞留全场一万多名观众。从比赛录像中，瑞克发现拳赛有假，以泰勒为突破口，瑞克锁定幕后的几名可疑人员，逼迫真凶出面将同伙灭口。同时银发女子茱莉亚向瑞克透露了事情真相，军火商为盈利在飞弹试验结果中作假，为防止事情败露暗杀了部长。瑞克决定拾起警察的责任，将罪犯绳之以法。

　　大卫（詹姆斯·麦斯登 James Marsden 饰）是一位小有名气的剧作家，为了能有更好的创作环境，大卫携爱妻艾米（凯特·波茨沃斯 Kate Bosworth 饰）回到了风景宜人的南方老家。老家清新的空气和闲散的生活让两个疲惫的城市人感到十分的新奇，而在这靓丽的风景之下，原住民们对这对初来乍到的夫妻却并不能算得上友好。
　　秉着息事宁人的态度，大卫对来自外界的种种歧视选择了默默忍受，甚至在妻子被一名当地的建筑工人设计强暴之后，他也只是希望能够大事化小小事化了。可是，大卫的一味忍让换来的却是变本加厉的欺负，当一群“野蛮人”试图闯入他家时，曾经懦弱的大卫选择了拿起武器，为了保卫自己最后的家园而战。

　　暑假来临，为了保证升学率，某私立高中组织高三的前30名学生到生活馆进行补习，顶尖的严志润、内向腼腆的金世熙以及前游泳部干将尹娜莱、调皮捣蛋的JK皆榜上有名。虽然心不甘情不愿，但是这群青春男女还是如期来至学校。在此期间，他们的手机被没收，并按照老师的要求抛却一切私心杂念，全力向着大学的目标迈进。
　　紧张枯燥的日子仍在继续，但是恐怖的事件出现，搅乱了孩子们的神经。正是晚自习时分，少女滢澜的尸体突然从天花板坠落，紧接着从广播中传来令他们难以置信的消息：从现在开始，他们将一个个死去，谁会最后走出这所恐怖的死亡学校，成为他们不得不去面对的问题……

　　本片日语片名为西班牙音乐家萨拉塞蒂一九○四年演奏的唱片名,原著是黑泽明绝笔《夕阳正红》主人公、随笔家内田百闲的小说《萨拉塞蒂的唱片》,影片中这张唱片及其音乐出现在主人公青地丰二郎的家中,他那位放荡的妻子放的。青地是陆军学校的德语教师,由清顺所欣赏的中年导演藤田敏八扮演,他身材壮阔,穿着厚重的呢子西装,酷似俄罗斯人。原田芳雄所饰演的浪子中砂与青地算是旧识,但他玩世不恭,似乎没有一点正经,只喜欢追逐女人,也只有女人能让他兴奋起来。两人在旅馆中结识了艺妓小稻,看上去她对青地有意,青地也喜欢她,却不知为什么不肯和她接近,结果让中砂厚着脸皮搞到手了。青地和中砂各有妻子,青地上门做客时,赫然发现中砂的妻子园与艺妓小稻相貌一模一样,均由大谷直子扮演。园也爱上了青地,青地还是不肯接近她,她产下孩子失意而死,小稻很快来接替她成了中砂的妻子。中砂有了温暖的家却心不在此而属意流浪,青地妻子的妹妹在医院中告诉青地,说病中曾见姐姐与中砂在面前有亲热举动。中砂离家流浪,埋在樱花下的沙地里,只露出头,死了,不远处是一男一女两个年幼盲童的歌声。清顺复出后真正完全启用旧班底的本片,很难用语言复述,通篇是用惊人影像营造起来的一个梦境,这梦境有清顺对死亡的幻觉和敬畏,像中砂死在樱花下、埋在沙砾中,像两男一女卖唱行乞的盲艺人,情敌决斗以竹杖相互敲头将对方敲进沙滩的沙屑中,女人弹着琵琶坐着木桶被海水吞没,带着意蕴深远的迷醉情绪;有富于象征性的奇观、恐惧、情欲,以及妖艳的媚笑也复不少,但看的人很难从中理出路数来,不明其所谓,只好去看色彩、布料、置景、道具极度富有的美感和质感,那白色洋房外表、花纹壁纸为里的青地家住宅,还有在砂家青色竹席、总是有火锅热气腾腾日本式住房,极富20世纪10-20年大正时代的特色。将观众的注意力牢固吸引于杰出的形式美,这正是清顺“浪漫三部曲”的目的。

　　A most pleasingly atmospheric rendition of the tale, noirishly photographed and moodily set, this is the version which probably would have delighted Conan Doyle the most. There is one important plot change which enables the beautiful Alice Brandt to enjoy both a larger role and a more intriguing part in the proceedings. This change also builds up the parts of Dr Mortimer and Lord Charles, yet at the same time provides a nice introduction to the is-he-sinister or is-he-a-good-guy Barrymore, deftly played here by Fritz Rasp.
　　Despite the sting of its well-developed story, the spellbindingly atmospheric direction and the engrossing performances delivered by the entire cast, many fans may find this version somewhat disappointing. For at least three reasons: As in the novel, the part played in the narrative by Sherlock Holmes, though vital, is minimal. And in this version, not only has no attempt been made to enlarge his role, if anything both writer and director do their best to minimize it. Holmes does not even make his entrance for half-an-hour, and when he does finally appear, he has his back to the camera. It is Fritz Odemar, as Dr Watson, who receives the more favorable camera angles. And there is a purpose in this. It is Watson, not Holmes, who figures as the main protagonist of The Hound of the Baskervilles. For the bulk of the narrative, Holmes disappears. It is Watson and Lord Henry (Peter Voss) who take up the running. The movie is almost over, before Holmes closes in on the villain. And even so, this is not the obsessed, self-important Holmes we are accustomed to see taking charge. Another problem is that the title hound itself does not figure a great deal in the action, a downgrading which will undoubtedly rate as another major disappointment for fans. And finally, it could be argued that the script gives too much attention to Conan Doyle's red herring, the escaped convict, and not enough to the real villain.
　　This said, it must surely be admitted by all, that Odemar's interpretation of Watson—intelligent, charming, level-headed, courageous and resourceful—is much closer to Conan Doyle's conception than either the bungling, inveterately stupid Nigel Bruce or the self-effacing Ian Fleming.
　　One other player deserves special mention: Erich Ponto (Dr Winkel in The Third Man) who seems exactly right for Stapleton. A difficult part, superbly played.
　　- JohnHowardReid, imdb