大佛回国

　　The main character is Dr. Max Holst, a successful neurosurgeon. One day an intense little man named Steinmetz shows up, who has the real ability to create objects out of thin air, using only his mind. As no one believes him at first, he is held at a ward for mental patients, but manifests the key to his door and escapes. As he has a special interest in Dr. Holst, Steinmetz subsequently invites Holst to his large mansion, which is full of expensive paintings and sculptures, and proves to him that he can in fact materialise objects. Steinmetz’s abilities are evolving by leaps and bounds, and is progressing from being able to create objects only to being able to create living things. His ultimate ambition is to be able to create a human being. He tells Dr. Holst that if he will only perform a certain brain operation on him, Steinmetz will become able to attain his goal. He’s got all the necessary equipment set up in his basement. Dr. Holst, however, is too spooked by the whole thing to agree to this mad scheme, and refuses. Steinmetz then sets about manipulating Holst’s life, to pressure him into performing the operation. By then Steinmetz has become able to create a temporary human being, and in the hope that he can perhaps make his own creation perform the operation, he manifests a doppelganger of Dr. Holst. This double proceeds to take over Dr. Holst’s life, creating chaos for him professionally and personally. And then Dr. Holst starts fighting back. The ending has the dual virtue of being both unexpected and satisfying.

　　Sarah(凯伦·吉兰 饰)在收到绝症诊断后，决定用克隆技术复制自己，以减轻她的离世对朋友和家人造成的痛苦；可她却奇迹般地康复了。然而，此时她申请销毁自己的克隆复制品的尝试却失败了，法院授权判罚：本体和克隆体必须进行决斗，两人只能活下来一个。

　　Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey.
　　In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.
　　The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.

　　在世界的尽头，一个小男孩的垂死母亲送他去寻找一个地方，满足愿望。《最后的男孩》是一部科幻剧，灵感来自13世纪苏菲派神秘主义诗人鲁米的诗歌。

　　威廉丧妻后，从AI公司得到一位与亡妻样貌相同的仿生人，在人工智能开发的斗争中，一个神秘组织试图通过破坏仿生人的程序来让仿生人获得自由...

　　该片讲述了气候变化导致某国东部小镇山体滑坡，一种远古细菌开始复苏，护士苏萍和丈夫林栋在当地旅游团聚与多人被埋地下废墟。苏萍在拯救丈夫的同时保护儿童，经历药品、食物危机及人性考验，最终战胜危机。

已六年未推出电影长片的让-皮埃尔·热内，将与御用编剧纪尧姆·洛朗再携手，拍摄Netflix法语科幻片[巨型漏洞](Big Bug，暂译)。影片将对人工智能展开讨论，会是一部充满机器人元素的喜剧影片。该...

　　《2001太空漫游》后9年，前国家航天委员会主任弗洛伊德博士（罗伊•谢德 Roy Scheider 饰）接受苏美合作计划，带领发现号航天站设计者科脑博士（约翰•利思戈 John Lithgow 饰）和HAL9000电脑的创始人钱德拉博士（鲍勃•巴拉班 Bob Balaban 饰）登录木星附近的苏联航空站，与苏联宇航员卡布珂（海伦•米伦 Helen Mirren 饰）等合作，空中接轨美国发现号航天站，调查九年前的事故原因，探索木卫二的神秘黑石，并查明宇航员大卫•伯曼（凯尔•杜拉 Keir Dullea 饰）缘何神秘失踪。然而任务执行尚未过半，美苏关系愈发紧张，战争一触即发；与此同时，大卫•伯曼竟突然现身对弗洛伊德博士发出神秘警告。
　　本片改编自亚瑟•克拉克的小说《2010太空漫游》，获第59界奥斯卡最佳艺术指导—布景，最佳服装设计，最佳视觉效果，最佳化妆和最佳声效五项提名。

　　一艘出发自二十世纪的宇宙飞船经过6个月的近光速飞行，相当于经历了七百年时间，船长泰勒（查尔登•海斯顿 Charlton Heston 饰）设定自动飞行状态后，飞船最终坠落在公元3978年的一颗陌生星球上。泰勒和两名幸存队员发现该星球与地球环境相当，而且竟然存在没有语言能力靠采集为生的人类，不待泰勒进行进一步的考察，一群具有智能的人猿突然出现将一众人类捕获。原来这颗星球的主人是人猿，人类只不过是供他们捕猎研究的野兽，人猿博士基拉（金•亨特 Kim Hunter 饰）和男友康奈利分别进行着人类行为学和人猿历史的研究，喉部受伤的泰勒暂时失去语言能力，但他的沟通行为很快引起了基拉的注意，在顽固的人猿学术界引发了争议。一直设法争取自由的泰勒不久终于发现了人猿星球的真相……

《求职者》是一部科幻电影，讲述2220年未来的大韩民国，偶然相遇的真正的人类（郑京虎饰）和人工人（姜友锡饰）为了找工作而共同展开的人类探索的故事。

　　未来世界能源枯竭，食物短缺。雷恩醒来，三名蒙面人将他和女友劫持，他奋力挣脱却从楼梯摔下。雷恩再次醒来，发现自己经历着同样的一天。他告诉女友汉娜，却发现汉娜和蒙面人是一伙的。雷恩才发现，他们都陷入了自己制造的ARQ能源机引发的时间循环中，而雷恩曾经效力过的Torus公司正要夺走这台机器。为了阻止Torus公司，雷恩和汉娜再次进入无限的循环...

　　新锐电影导演入江悠日前确定将翻拍获得多项演剧大奖的剧作家前川知大率领的“剧团Ikiume”的人气舞台剧作品《太阳》，该片日前已经确定将由新锐演技派演员神木隆之介和门胁麦担任主演。
　　《太阳》以近未来的日本为舞台，描写了只能在夜晚生活的新人类与在太阳下生活的旧人类之间的对立和融合，是一部追寻生存意义的人情派作品。曾执导过《Joker Game》等作品的入江悠携手年轻的演技派神木隆之介、门胁麦共同合作，彼此之间互称战友。