阴十三终于基本掌握了爷爷留给他的《三清茅山术》中的茅山道法，唯独对书中最后记载的稀奇古怪的符号和一段话百思不得其解，这段话写到：末日，巨石从天而降，如神力震撼天地，凶兽得意显目，尤之煞魄重视，生灵涂炭，唯得已日月合力招天神持天外之刃以诛之。而胖子偶然间看到一个女孩发布到网上的一张照片，照片中的符号和十三那本书中那些奇怪的符号如出一辙，十三和胖子找到女孩冷小莫无意间发现她拥有预见未来和控制意念的超能力，而冷小莫对关于自己的所有浑然不知，只依稀记得儿时候奶奶讲的一个故事……
《记忆之夜》是一部讲述兄弟故事的惊悚片，哥哥因绑架事件失去了记忆，弟弟则一直在为哥哥找寻记忆 。
讲述的是男主人公民秀失业之后又接到女友的分手通报，迫于生活而开始偷车赚钱， 电影海报 电影海报 之后失手杀死了人而感受到杀戮的快感，于是开始了杀人偷车卖车的犯罪之路，变成前一直是客串出演电影，这次首次升格做主演。海报上他饰演的男主人公展现了冰冷了一个疯狂的杀人惯犯。全宰洪导演同时担任了导演、制作、剧本和摄影，金范俊之的眼神，似乎捏住了什么人的脖子要将其置之死地。海报上还写着“我不是说过了么，我是天生的……”展现了主人公对于自己变成杀人魔的坦然心理。
老警察局长即将退休，新警察翻看局长书柜，发现库鲁普案件：库鲁普是印度空军的老油条，在役期间投机倒把、倒买倒卖。退役后到伊朗跨国公司工作，为阿拉伯王子做帮手。为贪污阿拉伯王子的300万美元费用，回印度找朋友设计自杀保险索赔。几个朋友为了贪图80万卢比的保险赔款，杀了他人假冒库鲁普自杀现场，被警方追查后仍然逃脱制裁。
町立川曾为美军基地所在地，当地人一方面西化严重，一方面深受创伤。少女真子（梶芽衣子 饰）与一群小姐妹整日游荡街头，无所事事；而以“男爵”（藤龙也 饰）为首的“老鹰”青年组则驾驶着美军军用吉普横冲直撞，招摇过市。某天，少女组中的女孩玛丽抛弃“老鹰”中的男友，转而爱上一个日美混血儿。拥有着不堪过去的男爵下令驱逐镇上所有的混血儿，一场肃清运动席卷而来。 来自横滨的混血青年数马（安冈力也 饰）到町立川寻找妹妹小惠，他的歌声感染了内心孤独的真子，而其身份又令男爵恨之入骨。原本相安无事的两组人马剑拔弩张……
Vienna, 1920. The Austro-Hungarian Empire has collapsed. Peter Perg returns home from the Great War, after seven years as a Russian POW. Vienna is experiencing the multiplicity of political, social and artistic freedom, but also the rise of anti-democratic movements, insecurity and unemployment. Peter, a former police inspector, feels like a stranger in the new Austrian Republic. While wanting to leave town, Peter is confronted with the murder of one of his former comrades. He decides to stay and instead bring the killer to justice. His ally is Dr. Theresa Körner, a determined and cool-headed forensic doctor. The two are linked not only by this case, but also by a deeper, shared history. As their investigation progresses, they realise that they are not just up against a systematic killer, who tortures his victims, but also face disapproval and intrigue from within the police force. Though determined to solve the crime, Peter, harbouring his own secrets, increasingly becomes tormented by existential questions: What is truth? What is heroism in the time of war? And all the while he fails to see the mounting danger before him.
Danny Haley's bookie operation is shut down, so he and his pals need money; when Danny meets Arthur Winant, a sucker from out of town, he decoys him into a series of poker games where eventually Winant loses $5000 that isn't his...then hangs himself. But it seems Winant had a shadowy, protective elder brother who believes in personal revenge. And each of the card players in turn feels a faceless doom inexorably closing in. Dark streets and sexy torch-singer Fran lend ambience.
一场暴风雪覆盖了通往法国偏远小镇的道路，一台空车停在路边，车主却不知去向。当地警方来到了小镇农场主人米歇尔的家中问话，米歇尔却显不耐；女主人艾莉丝一面对失踪事件感到好奇，但同时她更挂念着她的保险客户约瑟夫。 年轻貌美的服务生玛莉咏在餐厅邂逅了谜一般的伊芙琳，两人很快陷入热恋。虽然年龄差距和身份地位都阻挡她们在一起，但玛莉咏靠着伊芙琳留下的只字片语，花了好几天徒步走到伊芙琳的家门前。然而等待她的却不再是床上满口爱意的那个人。 看似意外的小镇事故却如蝴蝶效应般影响着来自不同地方的人们，一个不宁静的夜晚意外串接起所有人心里最深层的秘密。
In London, the pregnant wife of an industrialist falls down the stairs, loses her sight and has no recollection of the events but suspects that a mentally traumatic experience prior to the fall caused her accident. Psyche 59 is a 1964 British drama film directed by Alexander Singer and written by Julian Halevy. It is based on the 1963 novel Psyche '59 by Françoise des Ligneris. The film stars Patricia Neal, Curd Jürgens, Samantha Eggar, Ian Bannen, Beatrix Lehmann and Elspeth March. The film was released on 29 April 1964, by Columbia Pictures.
威尔第的著名歌剧《麦克白》再次准备公演，因为一次意外，主演的机会幸运的降临在了年轻的女歌手贝蒂的身上，虽然传说中只要上演《麦克白》就会带来噩运，但是面对成名的渴望，贝蒂最终还是站上了舞台，但是，谣言中的诅咒果然灵验了，噩运悄然来临，首演的巨大成功同时也带来了一宗又一宗的血腥命案，疯狂的杀手仿佛要和贝蒂展开一场残忍的游戏，凶手总是喜欢将贝蒂五花大绑，并安置了一个特殊的“眼部刑具”，迫使贝蒂亲眼目睹自己犯下的罪行，这彷佛能给凶手带来非比寻常的快感...
阿婴是闾门县令的独生女，自幼目睹母亲因通奸之罪被施“木马”酷刑惨死的情形，心中留下阴影。成年后，她被父许配给武举封青云。封青云是个虚伪的道学家，自视甚高，对美色不屑一顾，面对美艳的阿婴不屑正视，却私下暗自偷窥。二人夫妇不像夫妇，心存芥蒂。返娘家途中，二人于树下歇息，就在此时，恶名远播的采花大盗熊艳（单立文饰）正慢慢靠近二人。知县等不到二人，于是下令四处寻找。衙门捕头（高捷饰）一直暗恋阿婴，深感焦急，寻到大树旁却见武举尸横当场。兜售水粉的小货郎（黄耀明饰）鬼鬼祟祟，捕头当即盘问，货郎道出所见。却不知，其中另有文章，而一股恐怖的阴云，正慢慢地靠近县衙...... 蔡康永在完成剧本后一直不愿再提起这部电影，可见其对该片恐怖色彩的敬畏。该片以静态的影象风格塑造了一个风声鹤唳的幽冥人间。极其独特。
Like Fritz Lang, David Fincher or Bong Joon Ho before him, talented debut filmmaker Lado Kvataniya uses the concept of police detective vs serial killer for an excitingly stylised, macabre and haunting narrative, that ultimately revolves around the identity of an era: in this case, the late 1980s Soviet Union. With Glasnost and the end of communist rule, the West also learned of the (unsurprising) fact that there were serial killers in Russia too – the most notorious case probably that of Andrei Chikatilo, nicknamed the Rostov Ripper, or the Russian Hannibal Lecter. Based on these and many other sources, Kvataniya and screenwriter Olga Gorodetskaya constructed an immersive psychological puzzle, jumping back and forth in time, to reveal ever new-possible motives for the actions of all the protagonists. It all starts in 1990, when Detective Issa Davydov is celebrating his promotion and receives a call, reporting a crime that looks precisely like the ones of the serial killer that he famously captured some years before ...
