终端

　　美丽女孩希瑟（亚历珊德拉·达达里奥 Alexandra Daddario 饰）原本过着平凡的生活，可却在某天得知自己并非现在父母所生。在此之后，她和男友瑞恩（Trey Songz 饰）、朋友妮基（坦妮娅·雷蒙德 Tania Raymonde 饰）、妮基的男友肯尼（Keram Malicki-Sánchez 饰）以及半路结识的陌生人戴瑞尔（肖恩·西珀斯 Shaun Sipos 饰）驱车前往位于德州的Newt镇。她的亲生奶奶一直生活于此，而希瑟此行的目的即是签署一份遗嘱声明，继承奶奶留给她的财产。财富从天而降，这群年轻人兴奋不已，却不知道有一个恐怖的杀人魔“皮革脸”藏在家中。
　　血腥杀人夜悄悄降临，一切都与当年臭名昭著又令人闻风丧胆的索尔家族有关……

　　18世纪的路易斯安娜州，丧失妻女痛不欲生的庄园主路易（布拉德·皮特 饰）遇上了吸血鬼莱斯塔特（汤姆·克鲁斯 饰），被其施法变成吸血鬼。路易心存人性，不愿意吸血杀人，靠吸食动物的血为生，而莱斯塔特则一心要把路易斯教导成一个真正的吸血同类。
　　在新奥尔良，路易禁不起诱惑吸了小女孩克萝迪娅（克尔斯滕·邓斯特 饰）的血，而莱斯塔特则不顾路易斯的反对把克萝迪娅也变成了吸血鬼。三个人组成了一个奇特的家庭。
　　几十年过去了，克萝迪娅开始怨恨莱斯塔特剥夺了他真正的人生，她设计杀死了莱斯塔特，和路易周游世界，过着既像父女、又像情人的生活，寻找同类，也寻找着自身存在的意义。
　　在巴黎，他们遇上了以阿蒙（安东尼奥·班德拉斯 饰）为首的一群吸血鬼，聚居在剧院地下，过着和他们迥然不同的生活，阿蒙给了路易许多教导，想成为路易的新伙伴，为此，路易和克萝迪娅之间出现了裂痕，最终，酿成了无可挽回的悲剧。
　　1988年，路易斯返回了新奥尔良，向一个年轻记者马洛伊（克里斯琴·斯莱特 饰）讲述了自己的经历，讲述了吸血鬼长生不死背后的哀伤，不料，马洛伊在听完之后却被深深地吸引，一个新的吸血鬼的故事，将由此开始。

　　The main character is obsessed with gambling. He earns a lot of money on his little weakness - the murder of elderly, but very rich widows. Yes, even ... He did not just kill them. First, he makes love with them, then kills, and after that or eats them, or digs into the concrete.

　　讲述一个小孩由于看到打扮成圣诞老人的父亲和母亲露骨调情而变得愤怒不已。但在接下去的三十多年里，他却 ...

　　安吉尔在救护车服务部门工作在一场悲剧性的事故后，他的个人生活开始恶化，他变得越来越怀疑他的伴侣文。

　　Based on the actual 11-day disappearance of famed mystery writer Agatha Christie in 1926, the film fictionalizes her whereabouts during that time. When her husband announces that he is leaving her for another woman, Christie creates a mystery out of her own life by hiding in a Harrogate hotel and plotting revenge on her spouse while all of England searches for her. The reporter who finds Christie tries to foil her plan and finally falls in love with her.

　　影片讲述的是希腊人科斯塔、阿尔巴尼亚人波比和土耳其人加布里尔三个好友在汉堡的故事。加布里埃尔，父母是土耳其人，从监狱出来后开始过新生活。塞尔维亚人波比却想加入阿尔巴尼亚人的黑手党，走上罪犯生涯。同时希腊人科斯塔深陷一项巨额军火交易中。本片是生活在汉堡的土耳其导演费斯文 阿金的一部十分生动的处女作。影片中表现的现实主义和戏剧性冲突使我们想起法斯宾德的早期黑帮电影，还令人回忆起马丁斯科塞斯的早期作品。

　　[远山恋人]、[天堂此时]导演汉尼·阿布-阿萨德将自编自导阿拉伯语新片[胡达的沙龙](Huda’s Salon，暂译)。影片卡司包括阿里·苏莱曼([必是天堂])、麦莎·阿德哈迪([特拉维夫在燃烧])等。影片讲述一名女子前往一家美发沙龙，却遭到了店主的敲诈。该片将在巴勒斯坦开拍。

　　The dead are coming back to life outside the isolated Mi'gMaq reserve of Red Crow, except for its Indigenous inhabitants who are strangely immune to the zombie plague.

　　When an old man witnesses a strange meteor land, he finds himself growing younger, but his renewed youth has a price; he must kill or die. H e is a vampire, but it is not blood he needs to satisfy his cravings. A series of murders in which several women are brutally slain leads the police on a confusing chase across several states.

　　Stuart Gordon, considered a master of the horror genre thanks to classics like Re-Animator and Dagon, decides to do a different move in this strange trip to human morals.
　　
　　"King of the Ants" is about a regular guy, Sean Crawley(newcomer Chris McKenna), a man without any aspiration who just live in his apartment doing the necessary job to live to the next day. In one of his jobs he meets Duke(Gearge Wendt), who introduces Sean to his boss, Ray Matthews(played by Daniel Baldwin). Ray hires Sean as a spy, and orders him to follow Eric Gatlin(Roy Livingstone), an accountant who has been investigating Ray's company. Problems start when Ray, while drunk, orders Sean to kill Eric. And he does it. Things go wrong when Ray decides to make Sean disappear destroying his mind with violent punishment and humiliation.
　　
　　From the point where Sean kills Eric, we go in the same boat with him, as he goes through a downward spiral of human degradation, traveling from guilt, to confusion and finally to his rebirth, in a state where humanity, morals and values are not important anymore. Chris McKenna acting is very important because he manages to be likable even when he is part of gruesome acts, both as victim and/or criminal. He has that look of innocence that hides a dark side and he manages to carry the film.
　　
　　The support cast also includes Kari Wuhrer, as Eric's widow who also becomes a central part of Sean's trip to hell. She gives a fine performance, although it's obvious that Sean is the main character. He is the most developed of all and McKenna's performance is up to the challenge.
　　
　　The film has very disturbing images of violence, and while it may not be as graphic as "Kill Bill" for example, the strength of the violence is in the lack of humanity that the character manifest. He is more than an ant in this world. He is the king.
　　
　　Stuart Gordon has managed to create a film that, while maybe it's not one of his best efforts; it's very well done, has a VERY interesting story to tell, and manages to capture the attention every second of it.