怪兽岛决战：哥斯拉之子

　　有一户人家，他们世代隐居在由高墙和篱笆围起的一方天地里。与世隔绝的他们不论外界的时代如何更替，文明怎样进展，仍然固守着古老的生活方式，简朴、素雅、纯真。有时候，丰沛的阳光会穿过茂密的守护森林，毫无保留地照耀着每一棵古树、每              一寸厚土，也照耀着光影里两个精灵般嬉戏时而消失又突然显现的 少年。
　　成长的路总不是一片坦途，正如叛逆的阵痛永远会如期而至。眼看着新鲜力量就要冲破这亘古的高墙和藩篱，然而母亲的离奇暴毙，妹妹的突然失踪，父亲愈发的心事重重，都令少年更加坚信自己身处在一个古老而危险的秘密之中，而这个秘密的答案，也许就能解开羁绊在自己和妹妹身上的神秘力量的终极谜题...... 

　　李（凯特·玛拉 Kate Mara 饰）是一名出色的企业问题分析解决专家，专门四处奔波，被陷入了困境的大企业出谋划策。某一日，她接受了一个极度机密的任务，被带到了一个无人知晓的神秘研究室，在那里，关着她需要解决的“问题”，然而，让李没有想到的是，这个人人谈之而色变的难题，竟然是一个叫摩根（安雅·泰勒·乔伊 Anya Taylor-Joy 饰）年轻女孩。
　　摩根虽然看似普通，但实际上却是生物工程学所研究出的杰出作品，她没有父亲，没有母亲，是由单纯的DNA进化而来。摩根拥有着极为敏捷的行动，异常聪慧的头脑，相当惊人的生长速度，这一切让科学家们很快就感受到了强大的威胁。

　　平静的东京湾突然发生海难，当人们还在猜想是否海底火山爆发时，一只巨大的怪兽冒出水面并登陆城区。日本政府主导成立了“巨大不明生物灾害部”，网罗了国家中的奇人异士加盟，研究发现怪兽是受到放射性污染而诞生出来的，命名为哥斯拉；尝试了各种办法均宣告失败的“灾害部”最后不得不决定对哥斯拉采取武装攻击。但是这个巨大的怪兽哥斯拉完成了更恐怖的进化，整个东京将要沦为一片人间地狱，一场人类与怪兽的最终决战即将到来……
　　该片是2017年日本票房突破80亿的日本真人电影，并横扫第40届日本电影学院七项大奖；片中的怪兽也被称为整个哥斯拉系列中“最大版本”。

　　科学家吉姆深信自己解开了宇宙的奥秘，打造出可以穿越时空的机器，他在一次实验中发现一株疑似来自未来的大理花，并遇见拥有相同花朵的美女艾碧。当他越深入大理花的来历，越发觉迷人的艾碧并不单纯，不仅和觊觎时空机器的大老板关系匪浅，还可能让他的毕生研究岌岌可危。吉姆决定穿越时空去挽救一切，没想到过去的问题还没解决，未来的自己却受到牵连，命在旦夕，能够帮他的只有神秘的艾碧⋯⋯。

公元2008年网络世界特警阿KEN、狄龙、李仁3人侦破金大班与高大飞在马尼拉之犯罪集团基地。3人未得中央授命，私自围剿。结果两败俱伤。金大班与高大飞被杀，而李仁及狄龙殉职。阿KEN怀着悲愤心情与女特警阿美招待记者，报告一切……

2005年7月4日，美国独立日当天，沉浸在欢乐气氛的得州亚比里安市人民突然迎来巨大灾难。一个带着死亡气息的蘑菇云在市中心升起，亚比里安从此在地球上消失。这一事件引发了针对伊朗、叙利亚、北朝和阿富汗的第...

　　一个材料科学专家被胁迫盗取世界上第一个太空电梯设计团队的设计方案。

　　近未来，日本政要为了推进社会的发展，宣布正式开启提升智能机器人研究水平的“ARK计划”。秉承着一颗正直之心的光明寺信彦博士（长岛一茂 饰）参与其中，谁知相关负责人竟然假借“ARK计划”名义意图开发军用机器人。在此之后，光明寺博士不明不白死于事故，身后留下了正上大学的女儿美津（佐津川爱美 饰）以及还未成年的儿子小胜（池田悠斗 饰）。某个夜晚，姐弟俩遭遇一伙不明身份之人的劫持，危机时刻一名神秘男子出手相助，随后该男子竟然现出战斗机器人的模样，他就是光明寺博士生前专门安装了良心回路的智能机器人次郎（入江甚仪 饰）。
　　光明寺姐弟的命运由此和次郎搅到一起，而更大的危机和阴谋正向他们逼近……

　　George is the scapegoat of his classmates. One day he cracks and shoots them. His best and only friend Blaise is accused in his place and sentenced to 7 years in a psychiatric hospital. At the day of his release, Blaise realizes he only has one family: his best friend George. But he does not want to hear about his childhood friend, as he tries to integrate with the "Chivers" a gang whose members wear red jackets and boots, drink milk, drive sport trucks and play an incomprehensible and violent game that mixes cricket and mental arithmetic.

　　Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey.
　　In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.
　　The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.

A movie created from "found footage" of a lost military expedition that exposes the origins of life ...

　　在不久将来的2025年，奥西讯技术总工艾比·狄克逊，前往修理遏核电设备，根据神秘的线索和一些奇怪行为，艾比对该站两名员工的神智和身份产生了怀疑。