来生再爱

　　Best friends and lovers Miguel and Johnny have known each other since childhood. They spend their time skateboarding with their friends in throbbing Mexico City where they sell their own blood and get donors for the ER black market as a way to make money. But when an important transaction goes wrong, Miguel’s mother sends him out of the country. Away from Johnny, Miguel will find the path to his own destiny.

　　日以作夜是一个电影技术术语，意思是指在白天拍摄夜景，本片讲的就是一个电影拍摄过程中的故事。电影《Meet Pamela》正在如火如荼的拍摄中，导演Ferrand（弗朗索瓦•特吕弗 François Truffaut饰）不仅要处理电影拍摄的事情，还要忙于照顾演员们的情绪。其中就有脆弱敏感的男主角Alphonse（让-皮埃尔•利奥德 Jean-Pierre Léaud 饰）的感情问题，还有精神受挫的女星Julie Baker（杰奎琳•比塞特 Jacqueline Bisset 饰）。电影还要赶在约定的时间之前完成，拍摄的进展也不甚顺利，一切看起来如此糟糕，《Meet Pamela》还能拍完吗……本片精彩地以“戏中戏”的结构展现了一部电影拍摄的过程。
　　本片获1974年奥斯卡最佳外语片奖。

　　大侦探波罗作为阿加莎·克里斯蒂笔下最经典的角色经久不衰。这位小胡子侦探的扮演者大卫·苏切特将在本纪录片中独自展开一段探索之旅。在本片中，出演这位人尽皆知的大侦探近25年的大卫将深入发掘这一角色的历史及其独特魅力。依循书中线索，大卫为解开大侦探背后的谜团带我们来到比利时，看看比利时人是如何看待这一最负盛名的比利时角色。之后他重返不列颠，给观众们呈现他在出演这一标志性角色的最后岁月中的独家片段。

　　雷蔵の死により12作に及んだ“眠狂四郎“シリーズは終了したが、その3ヵ月後、早くも松方弘樹主演によって復活した。ベテラン監督・森一生も“狂四郎“シリーズは初めての演出。将軍・家斉の世継ぎ・家慶になりすました双子の弟の、陰謀に巻き込まれる狂四郎の活躍を描く。

　　东京一隅，温柔善良的高野吟子（吉永小百合 饰）独自打理着去世丈夫留下来的药店。过去的20年里，她和婆婆、女儿小春（蒼井優 饰）住在一起，虽颇多艰辛，但日子平淡幸福。如今，女儿将要嫁作人妻，吟子喜悦之余仍不免有所忧虑。原来在丈夫13周年忌辰上，她的弟弟铁郎（笑福亭鹤瓶 饰）醉酒胡闹，惹得亲朋不快。吟子和哥哥庄平（小林稔侍 饰）有意瞒着弟弟，然而得到消息的铁郎依旧欢喜前来，而且照例醉酒闹事。铁郎的举动不仅让家人颜面尽失，也影响了小春的婚姻。此后的日子里，这个年过半百却总也长不大的弟弟成为了姐姐久久无法割舍的牵绊……
　　本片为日本国宝级导演山田洋次向市川昆致敬之作，受邀参加第60届柏林影展，并荣获电影节特别奖。

　　女演员到底是什么呢？对要在这部作品“告白的女演员论”出演的3个女演员，从开拍2天前开始进行跟踪她们的生活。把她们三个人的故事同时进行。 浅丘路子、冈田茉莉子、有马稻子挑战“女演员”角色，分别饰演三个被不可告人的秘密折磨的当红演员，表现人类隐藏的愿望和渴望……。

　　主角凌驾于法律之上。 他们是一群沉迷于犯罪活动的警察调查员。 但是，经验丰富的团队制定的正在实施的犯罪计划开始失败。 似乎有一个鼹鼠直接向 FSB 报告。 当 Pepl 发现自己处于危及生命的境地时，他第一次开始思考自己的存在。 一旦他开始认为他不能回到以前的自己。 团队开始怀疑他是内奸。 以前的同事变成了死敌。

　　想凭小聪明一夜翻身的穷小子陆飞（彭昱畅 饰）欠下赌场老板秦海沛（姚橹 饰）巨额赌债，走投无路之际遇上正离家出走的债主女儿秦晓垚（胡冰卿 饰），一场“假绑架，真骗局”的危险游戏正式开启。赌桌之上，谁能笑到最后？

　　故事讲述在美国东北部一个小镇的农场，一个怀抱音乐理想的男孩，在追求爱情与理想的道路上历经的艰辛。男主人公曾被迫接受性向矫正治疗，在另一个男孩爱情的感召下，他终于有勇气面对内心最深处的渴望。但是，他们的爱情面临着来自亲情的最大挑战，同性恋的儿子如何面对来自父亲的诘问？又如何面对追求他 的姑娘？这一场爱情与亲情，理想与现实之间的博弈最终迎来怎样的结局呢？……

　　직장 상사와의 ‘불쾌 통쾌’한 한 판 승부!
　　직원들에게 폭풍 갑질을 일삼는 꼰대 of 꼰대 ‘김 회장’
　　한편, 그의 수행기사 ‘창수’는 뒷좌석에서 쏟아지는
　　‘김 회장’의 폭언에 하루하루 시달리는 이 시대의 ‘을’이다
　　평소처럼 만취한 ‘김 회장’의 갑질 속에서 운전대를 잡는 ‘창수’
　　하지만 점점 도가 넘는 행동에 오늘만큼은 더 이상 참을 수가 없는데...
　　깊이 억누르고 있던 을의 분노가 폭발하기 시작한다!

　　Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's "Staroye I Novoye".
　　It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls.
　　And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, "Staroye I Novoye", is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ).
　　Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with "Staroye I Novoye". The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel "ARTE", natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests.
　　And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.

　　关于二战的电影是波兰电影学院派经常拍摄的话题。在《如何被爱》中哈斯把只是把战争作为背景，讲述两个普通人的悲剧感情故事。女主角为了爱情的无私奉献最后反而成为了她深爱的男人的负担，在某种意义上毁掉了后者的生活。这一切都是在战争的环境下发生的，正如女主角讲的，开始以为生活就是自己身边的事，后来才发现整个国家都和你有关。而男主角最后也说道，我们都是被卷入战争的普通人。