惊天密谋

　　本片在澳大利亚80年代初才被允许放映。
　　电影取材自50年代连续杀人魔Ed Gein的真实事迹。
　　几个年轻人——Sally (玛丽莲·伯恩斯 Marilyn Burns 饰） 、Franklin  (保罗A. 普泰 Paul A. Partain 饰）、Jerry (阿伦·丹齐格 Allen Danziger 饰）、Kirk (威廉·韦尔 William Vail）和Pam (泰瑞·麦克明 Teri McMinn 饰），驾驶房车驶入荒漠中的德州特拉维斯镇。途中，一个满身伤痕、丧魂落魄的搭车人（埃德温·尼尔 Edwin Neal 饰）。勾起了他们的好奇心，他们在他的带领下进入一幢阴森大屋试图弄清真相。大屋被一股神秘、恐怖的氛围所笼罩，仿佛有一双眼睛始终在窥视着他们的一举一动。正当这群年轻人惊恐万分、不知所措时，电锯声骤然而起，他们最后的噩梦随之降临……

　　美丽姑娘玛丽·梅森（凯瑟琳·伊莎贝尔 Katharine Isabelle 饰）是一所医学院的在读学生，她只身一人在外求学，对爱情一类的全然没有兴趣，闲暇时分独自在家做做模拟手术打发时光，所取得的成绩得到授课教授的盛赞。虽然还未取得行医执照，但玛丽显然已无法抑制走上手术台的勃勃欲望。偶然机缘，她进入一个地下世界，做了两起小手术。成就感和丰厚的报酬令她兴奋不已。就在此时，她接到教授的邀请，进入一个私人聚会，却遭遇了最不堪回首的夜晚。这一事件让玛丽内心深处的黑暗彻底释放，对恶人的憎恶，对手术的渴望，全部裹挟在一起，踏上了亵渎肉体和造物的旅途……
　　本片荣获2012年尖叫电影节最佳女主角奖（Katharine Isabelle）、最佳剧本奖、最佳导演奖和最佳化妆奖。

　　一个沉迷于鲨鱼的连环杀手绑架了一个无忧无虑的冲浪者，绑在自己的船里，要举行一个仪式把她喂鲨鱼。她的新男友发现恋人失踪，前来寻找，却也被这个疯癫的杀手所擒……

　　A murderabilia shop clerk discovers her own family's dark history when she's asked to sell souvenirs from a crime not yet solved.

　　埃尔维拉是一个低成本恐怖电影节目的主持人，她发现自己是新英格兰一位阿姨豪宅的继承人。豪宅里有很多有趣的怪物，她因为想给年轻人带来一些不一样的体验，但却却发生了冲突，。镇上的成年人对她的衣着、语气，对她的一切，尤其是她的性暗示感到反感......

　　You wake up in a shabby hotel room with no idea how you got there. You can’t recall your name. You discover there seem to be other young women in other rooms in the same predicament, though one of them seems to know your name: Anne. After an unpleasant encounter with a rather large cockroach, you have a screaming fit. That’s when the nurses arrive to sedate you. And by the way, when night falls, you’ll need to escape from a killer demon with the bloodied head of a deer.
　　Faces of Anne relies heavily on elements of the slasher film – and in many ways, that’s exactly what it is. But the film is also a puzzle, whose central question – Why is Anne here? – allows us to explore theories as to its solution until the very last moment. Are we inside a video game? An escape room? The mind of someone with multiple personalities? The elaborate and nihilistic fantasy of a deranged serial killer? It’s nothing new to remark that the best horror films are often those that reflect the fears of society; this film builds a clever – and viscerally terrifying – analogy of some of the difficulties faced by today’s young people.

　　影片讲述香港发生了多起离奇命案，死者均有大量失血的症状。作家阿祖（<李灿森饰）与记者疱疹（<林晓峰饰）是一对好友，分别因挖掘创作灵感和找寻新闻素材而对这些案件产生了兴趣，而祖的印尼网友王茵（<胡杏儿饰）是一名灵学专家，得知此案后认为事情并不简单，遂赴港与阿祖及疱疹联手调查。三人经过深入调查，发现原来是细菌在作祟，在印尼有一种千年古木，其中寄生着一种真菌，人们将这种木头制成棺材后，死人的尸体就会被真菌控制，成为丧尸。而这种木头日前流入了香港。多起命案均是丧尸所为，而丧尸生前的妻子（<汤盈盈饰）为了不让丈夫离开自己，也助纣为虐，以美色诱惑猎物上钩，成为丈夫的腹中之物。祖等三人得知原委后准备阻止丧尸继续害人，一场人尸大战就此展开…… >

　　科学与宗教之间的界限到底怎样划分？两者是对立的，还是一步就能跨越？凯瑟琳（希拉里·斯万克 Hilary Swank饰）的转变就多次源于这个古老神秘的哲学命题。她曾经忠实地信仰天主，虔诚布道，丈夫和女儿却惨死他人手中，这令凯瑟琳不再相信宗教，她坚定的认为，科学才是一切现象的根本，所谓神，只是人们愚蠢的迷信。
　　小镇上发生的怪事，却令凯瑟琳的观念发生了又一次的逆转。只因为，圣经上的预言和这里发生的一系列怪事竟然不谋而合。面对这些神秘的现象，凯瑟琳发现，自己的科学信仰面临着严峻的挑战，在小镇沸沸扬扬的风波中，也许主宰一切的是她一直不愿相信的神明……

　　Haylee, a local EMT suffering from PTSD, spends her days making split second decisions with lives that hang in the balance. One night on a routine call, she is faced with a moral decision, taking matters into her own hands and mercy kills a young woman. Her decision opens a pandora's box that leads Haylee to blur the lines of her job responsibilities and wanting to help those in need. Now, falling deeper and deeper into a rabbit hole, she gets caught up in a world of underground drugs and a sadistic killer who's made her his next victim.

　　Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007
　　Author: TimothyFarrell from Worcester, MA
　　"Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.
　　The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10)
　　-from imdb

　　一个成功的侦探小说家卷入了一起绑架案，并发现了政客和黑手党之间存在的腐败。马克·维吉尔的第一个特点是挖掘隐藏在表面后面的是什么。

　　电影讲述了追踪未结案事件凶手的故事。杀人案再次发生，犯罪手法竟然与30年前一起未结案事件一模一样。非常了解小区的老人和非常了解事件的前职刑 警用直觉与感觉开始追踪凶手....