爱无对立

　　由美国帕洛玛影片公司出品，导演悉尼．波拉克。三十年代初，正值美国经济大萧条时期，洛基为好莱坞举办百对舞蹈选手马拉松大赛，在这些选手中，每个人的目的不同，有的为了赚钱，有的为了能上电影，有的则感到无聊才来参赛。几个星期过去了，几对主要竞争者都遇到了不同的意外问题……
　　影片以写实的手法，通过反映各色人物的心理，表现出美国社会存在的矛盾。纵观整个影片，情节安排、技巧处理、演员的表演都算是出色的，曾获第42届（1969）最佳导演等9项提名，结果只获得最佳男配角1项金像奖。

　　美国导演玛格丽特·贝茨首部剧情长片《爱的见习生》，找来曾与名导斯派克·琼斯合拍广告而声名大噪的星二代玛格丽特·库里，饰演一名出生在无神论家庭的少女，为了成为修女而前往修道院见习，展开自我信仰的辩证，却也在压抑训诫中发觉内心骚动的欲望。玛格丽特·库里充满灵性的亮眼表现，不逊于同台飙戏的奥斯卡得主梅丽莎·里奥。影片大胆触碰宗教和同志议题，呈现超越性别的信仰与爱的真理，更赢得圣丹斯电影节评审团特别奖的赞扬。

　　Documentary about several survivors of the Boston Marathon Bombing which took place April 15, 2013.

　　鸣梁海战续集也将提上制作日程。据片方介绍，续集计划采用中韩合拍的方式，届时有望在中韩两国同步公映，这样一来两国影片上档时差将被彻底打破。历史上，鸣梁海战之后第二年也就是1598年，中朝水军和丰臣秀吉的日本海军进行了露梁海战，朝鲜将领李舜臣（崔岷植在《鸣梁海战》中的角色）和大明将领邓子龙联合指挥并取得大捷。如果中韩真的能合拍续集，应该就是拍摄这个故事，邓子龙将由中方哪位男星出演和崔岷植飙戏让人期待。

该片采用黑白画面拍摄。讲述2020年五一劳动节庆活动期间，一所中学的礼堂正举行由政党举办的蛇斋饼糭活动。与此同时，楼上课室有多名政界高层与警队，计划射伤两位议员以制造混乱，激起港人恐惧，从而加速中央实施“国安法”。两名黑社会“炒散”获分配“任务”，眼见可观酬劳，决定孤注一掷执行任务，却没想到最后被警方枪杀。而“国安法”最后亦成功通过。

　　Upon moving into her husband's childhood home to help take care of his elderly relatives, Jean Copeland, an emotionally withdrawn wife and mother of two, becomes embroiled in an affair with a suicidal lover. Her husband, Gordon, is oblivious, too busy worrying that he's losing his most prized possession, his mind, after a run-in with an ex-girlfriend he doesn't remember. 19-year-old, Priscilla, is a fashionista desperate to become a reality TV star, while 9-year-old crossword fanatic, Otis, has fallen in love for the very first time. Otis (played by Noah schanpp) falls in love with Caterina (played by Caroline Mills) after, well, forever. With Gordon's father, Theodore, fading into dementia, and 95-year old matriarch, Vivian, desperately clinging to control of the house, the six family members, at five stages of life, distill the dreams, worries, and regrets, of contemporary America.

　　一九八八年十二月七日于苏俄亚美尼亚（Armenia）西北部斯皮塔克（Spitak）发生芮氏规模六点九级大地震。50岁的俄罗斯人Konstantin Berezhnoy和28岁的亚美尼亚人Robert  Melkonyan一起拯救绝望的幸存者。

　　1930年，纽约发生了一起骇人听闻的绑票撕票案，主谋卡塞蒂携赎金逍遥法外。 5年后，侦探赫丘里·波罗（艾伯特·芬尼 饰）乘船渡过博斯普鲁斯海峡，并在朋友比安奇（马丁·鲍尔萨姆 饰）的安排下登上东方快车，去往伦敦。一日凌晨，波罗被隔壁10号包间的叫声惊醒。随后，因雪堆掩埋铁轨，列车被迫停于南斯拉夫境内。波罗再次睡下不久，又被吵嚷声惊醒。贵妇哈里特·贝琳达·哈伯德（劳伦·巴考尔 饰）声称10号包间的富翁雷切特（理查德·威德马克 饰）潜入了自己的11号包间。天亮后，雷切特的管家贝多斯（约翰·吉尔古德 饰）端来了饮料，却敲不开10号包间的门。列车员皮埃尔·保罗·米歇尔（让-皮埃尔·卡塞尔 饰）用钥匙开了锁，但是里面挂了门链。波罗与皮埃尔合力扳开门，发现雷切特口角流血死不瞑目。经医生康斯坦丁（乔治·库鲁里斯 饰）检查，雷切特被下了药，身中12刀，死亡时间为0点至2点间……

　　卧底警察何金水和上司包正锁定了一家叫新龙堂的养老院有大量黑帮人员聚集。为寻找线索，何金水应聘进入养老院当护工，目的是寻找出在养老院活动的老人们涉黑的线索，同时也发现女院长乔伊和黑帮老人们有千丝万缕的联系，并疑似在为黑帮老人们的犯罪计划提供保护伞。为了寻找真相，何金水渐渐深入调查发现事情并不简单……

　　福尔聂（Claude Mann 饰）只是一介平凡的小小白领，某日，在好友卡隆（Paul Guers 饰）的带领下，他来到了一间赌场想试试运气，哪知道竟然赚得盆满钵满，这飞来横财令福尔聂开始对赌博产生了浓厚的兴趣，甚至不顾父亲的劝说，打算放弃工作，前往大名鼎鼎的天使湾赌场好好干他一票。
　　在天使湾赌场，福尔聂邂逅了名为杰基（让娜·莫罗 Jeanne Moreau 饰）的美艳金发女郎，和福尔聂的小试身手不同，杰基将自己的全部都投入到了赌局之中，赌博不仅是她的信仰还是她的生命。随着时间的推移，福尔内和杰基渐渐坠入了情网，当福尔聂对这种数字游戏感到乏味想要回到巴黎继续生活之时，嗜赌如命的杰基陷入了深深的无助之中。

　　The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.

　　Scared of life and lacking the courage to be himself, Ludovico lives hidden away in his grandmother's old apartment. One night, the wickedness of the world goes to visit him in the form of Jack, a boy who is Ludovico's age but has the opposite character: hard, determined, perhaps criminal. The forced cohabitation of two human beings who couldn't seem more different from one another turns into an initiation rite to adulthood, the discovery of their true and respective personalities. And when the harsh reality that is mercilessly stalking them appears to present the bill, they will have to face it, bolstered by a new awareness and unhoped-for courage.