鬼镇事件簿

　　Rusty Wittenburg is a Navy SEAL struggling to balance his family life and his job. He fights daily to maintain the line between reality and the nightmares his PTSD conjures up for him. Dedicated to his team and his mission, he is willing to give the ultimate sacrifice for his fellow brothers and teammates.

　　刘帅良饰演的学渣蓝飞驰，超常发挥考进了北京重点大学；而女友学霸齐姝（阿依帕丽饰演）却为了他弃题，阴差阳错落入本地三本院校。多年后，两人在齐姝婚礼相遇；心生愧疚的蓝飞驰，为了改变两人的命运，在一间神奇的魔法钟表店，穿越回校园时光，试图改变过去……

　　本片根据真人真事改编。Bobby（瑞恩·凯利 Ryan Kelley 饰）是一个善良、虔诚的少年，有爱他的家人。但在他向家人坦白自己的性倾向后一切改变了。母亲Mary（西格妮·韦弗 Sigourney Weaver 饰）认为同性恋会下地狱的训诫，想尽办法矫正儿子。而Bobby的痛苦与日俱增。在满20岁生日前Bobby认识了开朗青年David，可Mary拒绝接受，并以有一个同性恋儿子为耻。Bobby伤心的离开家最后选择死亡来结束内心的折磨。他的死彻底唤醒了家人，尤其是Mary，她在无尽的悔恨中开始接触同性恋人群，参加PFLAG小组，与神职人员探讨圣经解释。在翻阅儿子的日记后，她开始直面自己认同儿子。失去儿子的母亲在倾盆大雨中失声痛哭，雨水和泪水将固执、偏见和不理解洗刷得一干二净。Mary此后将毕生投入到同志维权事业中，帮助那些和Bobby一样的少年。

　　电影重现了饱受争议的同性恋作家卡波特写作小说《In Cold Blood》的历程，深入到卡波特敏感而又残酷的内心世界。
　　小说主角的原型是1959年美国一个凶残杀手佩里（克利夫顿·克林斯 Clifton Collins Jr.饰），他为了区区100美金而杀害了一家四口。敏感的卡波特（菲利普·塞默·霍夫曼 Philip Seymour Hoffman饰）嗅到了这桩新闻的写作价值，他得到了杂志社的帮助，前往案发地调查关于杀手的一切，一篇纪实文学在卡波特心里酝酿，而功成利就的欲望也在他内心翻滚。
　　然而，当他和佩里展开长时间的访问接触，却发现眼前这个凶手和自己惊人的相似。佩里把卡波特视为知己，一次次把希望寄托在他身上。然而，在卡波特心里，佩里也只能让位于他的作品，他的名利。
　　佩里沦为自己深信的人手中的一颗棋，而卡波特，也在作品成名后，终生无法为自己的残忍而释怀。

　　《爆破》由布莱恩·赛普（Bryan Sipe）编剧，故事讲述杰克·吉伦哈尔（Jake Gyllenhaal）饰演的一位投资银行家在妻子遭遇意外身亡后，生活变得支离破碎，直到遇到了娜奥米·沃茨（Naomi Watts）饰演的单亲妈妈，人生才有了转机。
　　据悉，娜奥米·沃茨饰演的这位单亲妈妈是一个既和老板约会、又吸大麻的客户服务代表，她的公司专门生产自动贩卖机。她和男主角的相遇也充满戏剧性，男主角的钱被自动贩卖机吞了，她去处理投诉时了解到了男主角的不幸遭遇，继而与他有了进一步的接触。

　　根据“短篇小说之王”莫泊桑的同名小说《漂亮朋友》改编而成。
　　老兵乔治·杜瓦洛（ 罗伯特·帕丁森Robert Pattinson 饰）退伍后从非洲只身来到巴黎，在铁道局打杂过着清苦交加的日子。偶然机会碰到昔日战友，在其帮助下进入《法兰西生活报》担任编辑一职，苦心钻营成为“瓦尔特帮”的重要写手，参与倒戈阴谋。凭借一张漂亮的外表和一些取悦女人的伎俩辗转于贵妇人之间，克罗蒂尔德（克里斯蒂娜·里奇 Christina Ricci 饰），玛德莱纳（乌玛·瑟曼 Uma Thurman 饰），瓦尔特夫人（克里斯汀·斯科特·托马斯 Kristin Scott Thomas 饰）都成为他平步青云的牺牲品，他无耻的利用女人来发迹，大搞投机冒险，步步为营跻身上流社会，并最终通过拐骗报馆老板瓦尔特的女儿苏珊（霍利·格林格 Holliday Grainger 饰），与之结婚成为报社总编辑，将权钱名并入囊中，成功得取远大前程。

　　杰弗里·拉什、杰·科特尼([自杀小队])加盟新版[鹈鹕的故事]，影片改编自科林·狄力同名小说；1976年，导演汉瑞·塞夫兰曾将该小说搬上大银幕。影片围绕澳洲海岸边一个关于友情与爱的故事展开。导演肖恩·斯伊特(澳剧《深水迷案》)，影片将采用真人与3-D电脑特效动画相结合的形式。7月开机。

　　"诚实国度的爱丽丝"描画的是一个女人盲目的爱情以及各种纠结缠绕波澜万丈的故事。这篇电影是以短篇电影积累经验的安国真导演的长篇电影处女作。

　　Les déboires d’une troupe de théâtre dans le Bengale des années 50.

　　故事发生在1991年的韩国，玄静（河智苑 饰）是当年气势横扫全国的优秀乒乓球运动员，以打败中国赢得世乒赛冠军为目标，玄静做着不懈的努力和练习。就在比赛即将开始之时，玄静得知了一个惊人的消息，那就是她必须和来自朝鲜的乒乓球选手李粉姬（裴斗娜 饰）组成搭档，联合作战。
　　朝鲜和韩国的关系一直以来都处于冰河时期，这突如其来的联手让玄静很是不能理解，无奈“军令难为”，她也只能服从，就这样，一段充满了坎坷的矛盾的合作路程开始了。生活作风和待人处事的习惯完全不同的玄静和李粉姬能够合作成功吗？她们又能否取得最后的胜利呢？随着赛程的逐渐接近，气氛变得越来越紧张起来。

　　Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's "Staroye I Novoye".
　　It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls.
　　And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, "Staroye I Novoye", is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ).
　　Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with "Staroye I Novoye". The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel "ARTE", natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests.
　　And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.