女高怪谈1：死亡教室

　　距离上一部故事的若干年后，维杰一家人已经过上了平静的生活，但是杀人的阴影依旧存在。本地警察局的新任局长对于这桩悬案重启了调查，维杰一家岌岌可危。这次，维杰能否再次守护住他的家人？

　　为了关系疏远的妹妹，杰出的推理小说家和犯罪专家格蕾丝（艾莉莎·米兰诺饰）赶回了位于华盛顿特区的家宅。当妹妹被人谋杀，其在背地里做网络直播的事亦浮出水面。格蕾丝无视头脑冷静的侦探艾德（山姆·佩奇饰）的警告，卷入了此案。改编自诺拉·罗伯茨的小说《Brazen Virtue》。

　　六个陌生人醒来时被困在一片无尽的玉米地里，却发现了一件神秘的东西正在追捕他们。

　　一名女子（莉顿·梅斯特饰）周末到克罗地亚度假，没想到这却出了岔子：她被指控杀害了自己最好的朋友（克里斯蒂娜·乌尔夫斯帕尔饰），并在试图弄清真相的过程中了解到一个令人痛苦的秘密。

　　Walter Williams (Brian Donlevy) is a take-charge captain of industry who has worked his way up in a San Francisco steel company from a position as a sheet metal worker. He loves his wife Irene (Helen Walker) very much and they have planned a vacation drive together. Irene cancels at the last minute claiming a toothache, but asks that Walter drive her cousin Jim Torrance (Tony Barrett) as far as Illinois. Walter agrees and he and Jim take off together but later Jim knocks Walter unconscious and takes the car only to be hit himself by a truck and killed, his body burned beyond recognition. Walter comes to and suffering a concussion and deep confusion from feeling betrayed by Irene hides out in a small Midwest town until guilt and peer pressure force him to go back to San Francisco and tell his story to the Police. But by the time Walter returns to San Francisco a clever detective Lieutenant Quincy (Charles Coburn) has uncovered some facts about Irene and her cousin' Jim. The police have been holding Irene for the murder of her husband Walter but release her considering that Walter was hiding out because he had killed Jim. Along the way to uncovering the truth in Court Walter realizes some hard fact about what he holds valuable and the trust he has put in those around him.

　　宣宇贤在济州岛附近寻找一个名叫“异鱼岛”的地方，追忆起一件四年前的往事。当时，他还是某旅行社的企划部部长，为了营建一个名为“异鱼岛”的观光旅馆特意计划到异鱼岛进行宣传工作。在驶往异鱼岛的船上，济州新闻社的记者千南硕企图阻止宣宇贤的行程，要求他掉转船头，并宣称只有将死之人才能看到异鱼岛，但宣宇贤不以为然。当天夜里，千南硕在船上失踪，宣宇贤受到谋杀嫌疑。
　　调查详情后，宣宇贤虽因证据不足被无罪开释，但依然受到种种困扰，于是他决定和断定他是杀人犯的报社主编一起前往济州岛，寻找千南硕失踪的真相。随着和岛民的深入接触，千南硕过往的所作所为被逐一揭露，而岛上关于千南硕一家受到海妖诅咒的传言，也越来越接近这两位来访者......

　　As a child, Luther Watts was deeply affected by seeing a circus geek (someone who bites the heads off live chickens in a circus sideshow). Finally paroled after serving 20 years in prison, he terrorizes the residents of his hometown by making chicken noises, crowing like a rooster and attacking people. He winds up at a farm run by a woman and her daughter, where he takes them captive and then starts killing off her neighbors. The mother realizes she and her daughter must escape before he kills them, too.

　　麦克进入居住了大批僵尸的坟场中，他遭到了来自四面八方僵尸的攻击。四周一片漆黑，恐惧和惊慌吞噬着他的心。为了生存，他只有拼命地漫无目的四处奔跑。然而，僵尸和恶魔在他气息的指引下紧紧地追赶着他，不知他能否逃出生机……

　　这个靠海的小镇比平日还要来得平静。所有的居民都消失了，莫非有人将他们烧成灰了？他们的命运似乎是操纵在一群外来的暴徒手中，他们来到这地方，主要为了寻找他们速食店所卖的汉堡的材料─人肉。在最后一名镇民断气之前，外面的世界听到了一声凄厉的求救声，于是新成立的「调查防御公司」成 员─贝瑞、狄瑞克、法兰和欧奇─朝危险区出发，在该区展开地毯式的搜索。

　　前两部远在8、9年前，当时尚未与瑞斯·维瑟斯彭订下终身的雷恩·菲利普，贡献了正面全裸的帅哥出浴戏；而萨拉·米歇尔·盖拉也正因为参演该系列被封为“惊叫皇后”，才有缘出演了其后的《诱惑性游戏》和《咒怨美国版》。
　　
　　物是人非事事休。等到《电锯惊魂》这样的小喽喽都被委以重任、变身“先锋廖化”的时候，《我知道》系列才想起来完成三部曲的最终章，未免英雄迟暮——当年一时瑜亮的死对头《夺命狂呼》早已曲终人散——而在毫无敬老意识的可畏后生们左右夹攻之下，想独孤求败俨然是南柯大梦。《我知道你去年夏天干了什么》、《我依然知道你去年夏天干了什么》、《我一直知道你去年夏天干了什么》……据说索尼正在开展第四集的征名活动！？

　　You wake up in a shabby hotel room with no idea how you got there. You can’t recall your name. You discover there seem to be other young women in other rooms in the same predicament, though one of them seems to know your name: Anne. After an unpleasant encounter with a rather large cockroach, you have a screaming fit. That’s when the nurses arrive to sedate you. And by the way, when night falls, you’ll need to escape from a killer demon with the bloodied head of a deer.
　　Faces of Anne relies heavily on elements of the slasher film – and in many ways, that’s exactly what it is. But the film is also a puzzle, whose central question – Why is Anne here? – allows us to explore theories as to its solution until the very last moment. Are we inside a video game? An escape room? The mind of someone with multiple personalities? The elaborate and nihilistic fantasy of a deranged serial killer? It’s nothing new to remark that the best horror films are often those that reflect the fears of society; this film builds a clever – and viscerally terrifying – analogy of some of the difficulties faced by today’s young people.